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1. Canvas Wedging Board |
While most studios have plaster wedging tables, I've found it much better to wedge my clay on canvas. I like canvas because it won't gouge or crack and also because it dries the clay up a bit as I'm wedging. The latter is important because, to protect my wrists, I throw with very soft clay.
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2. Stapling the canvas to the board |
In addition, a canvas wedging area can be set up quickly and easily and lasts a long time. I made mine in 1999 when I built my studio. Eleven years later, the canvas was getting a bit threadbare so I decided to redo it today. With my husband's help, it took all of 30 minutes! Here's the quick and easy way to make a long-lasting wedging board.
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3. Cutting off excess canvas |
I started with a piece of wood about an inch thick. The dimensions of the piece of wood are only restricted by the area available to you for the wedging board. Mine is about 2.5 x 2 feet. Simply staple marine canvas to the board making sure that you pull it very tightly (fig. 2). I put canvas on both sides of the board and use one side for dark clay and the other for white clay. After stapling the canvas and cutting off the excess (fig. 3) I cover the edges with duct tape (see fig. 1).
I attach the wedging board to a a sturdy table with vise grips. I've placed bricks under the table's front legs. This puts the table at a slight angle away from me, which makes the wedging motion easier (see fig. 1).
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4. Ware boards made out of wallboard |
I also use pieces of wallboard as ware boards. Simply cut a piece into as many different sizes as you need and duct tape the edges so they won't crumble (fig. 4). You can also use one side for dark clay and other for white clay.
1 comment:
I finally got around to getting some wallboard, but I need to duct tape mine, thanks for the reminder.
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